I jumped a shark and I liked it
Of course it’s not believable. Of course it’s not pristine storytelling. It’s got lots of stupid action in it for no real reason. There’s no time for real character development. Continue reading
Daniel Binns is a media-maker and theorist of media and screen cultures. He is the author of The Hollywood War Film: Critical Observations from World War I to Iraq (2017), and Material Media-Making in the Digital Age (2021), and has published work on Netflix documentaries, drone cinematography, and film genres. Long walks on the beach are fine, but I much prefer cabins in the woods, board games, RPGs, and movies.