2021. Material Media-Making in the Digital Age. Intellect.

Can we take things that are already mind-numbing clichés in the mainstream industry – like the ubiquitous drone shot mapping out the grid of a big city at night – and turn them into more mind-boggling propositions concerning the relation of sight to feeling, humanity to landscape, space to time? This is just what Chantal Akerman or Jean-Luc Godard did from their very first short film exercises: playfully interrogate the tool, the technique, the technology, the second-hand form or convention – and, in the process, bend it right out of shape until it becomes expressive of a new idea, a new sensation, a new emotion. Material Media-Making in the Digital Age offers many helpful hints as to how to kickstart such a process.

Adrian Martin, film critic and Adjunct Professor at Monash University

2017. The Hollywood War Film: Critical Observations from World War I to Iraq. Intellect.

Genre analysis, as Robert Stam warned, is always in danger of narrowness, normativism, monolithic definitions and biologism. Daniel Binns’ The Hollywood War Film has avoided such pitfalls by offering a reading of the genre that captures its shifting nature across time and forms, starting with the grand narratives of Hollywood to more recent video games. . . . The Hollywood War Film is a significant contribution to the study of cinematic genres and will appeal to both specialists in the field of film studies and students.

Iqbal Barkat, Macquarie University, Global Media Journal: Australian Edition


Journal articles and book chapters

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