Lockdown ramblings

Sun streams in through the window. I’ve left the light off today: for some reason the sunlight is enough. The driveway is being dug up, so the door to my study is closed, and my noise-cancelling headphones are nestled over my ears. In my head, for once, things are relatively calm.

I’m working through a project that necessitates deep thought. Deep thought is hard at the moment. I suppose that’s why I opened up this blog post: something simple, something gentle, to clear out the cobwebs.

Deep thought? On the one hand, I mean deep theoretical ruminations, the kind for which academics are stereotyped. But on the other, it’s strategic thought. How will this fit my narrative? Where can I publish? Can this be put up for funding?

This strategy is something I need to do more, anyway, but particularly at the moment, when academic work is increasingly precarious. More so than ever, one feels the need to be not just productive, but scheming, pragmatic, to think laterally about one’s place in a discipline, an institution, the world.

It ruins everything. Takes away the magic of things. I remember posting here when I first got this job. I mentioned an overwhelming sense of relief, that someone finally noticed that I could fit somewhere, that I could bring something to the table.

Things change.

But I remain happy where I am, and that’s something. I’m still tired, but this year, in spite of the world burning, I feel like I’m getting somewhere.



Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

About Me

Daniel Binns is a media-maker and theorist of media and screen cultures. He is the author of The Hollywood War Film: Critical Observations from World War I to Iraq (2017), and Material Media-Making in the Digital Age (2021), and has published work on Netflix documentaries, drone cinematography, and film genres. Long walks on the beach are fine, but I much prefer cabins in the woods, board games, RPGs, and movies.


Newsletter

%d bloggers like this: