The 10th Victim (1965)

Don't worry, Marcello, I'm just as confused as you are.
Don’t worry, Marcello, I’m just as confused as you are.

I found The 10th Victim on Letterboxd. I’m not sure exactly how it emerged in my field of view, but probably some crazy collision of Blade Runner, The Hunger Games, and 8 1/2. Regardless, I ordered the Bluray, then settled in for an evening of messed-up Italian future-noir.

It took me a few runs at it, but I made it through. It’s not the easiest watch. Petri treads the line between noir, drama, and utter camp, and sometimes his editing lets him down as far as pacing goes. That said, his cinematographer does an amazing job to frame a very specifically production-designed future. The little touches like the yellow backlit back door on the Hunt Club, and the transparent phone box, and Marcello’s fantastic clear-topped car — these top off a perfectly-realised future-world more accurately than any leather-clad Jennifer Lawrence.

The influence of this film is clear: from Ursula’s bra-guns that no doubt inspired Austin Powers’ fembots, to the competition itself, which finds echoes in The Hunger Games and Maze Runner. Overall it’s worth a look, if only for Mastroianni’s calm and deliberate persona.

[cross-posted from Letterboxd]

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